Asociacion libre

El libro de Thompson me causo por primera vez intriga respecto de ciertas drogas. Nunca crei demasiado en eso de "hay que probarlo todo", o al menos no en su variante mas prepuber pseudoliberado. Sin embargo, la fenomenologia que hace el autor de sus estados de animo alterados por la mescalina, el LSD, amyls y otras yerbas no puede ser menos que atractiva. Sobre todo cuando tiene la exactitud de un obsesivo y el desenfado de un neurocirujano operando.

Quizas sea hora de tentar "The Doors of Perception" de Huxley, o quizas la novela de "Transpotting".

Siguiendo la linea decadente, comence la lectura de "Bad Behaviour" de Mary Gaitskill. El librejo en cuestion incluye "Secretary", narracion que inspira lunarmente la pelicula. No habiendo pasado del primer cuento, auguro sin embargo una sumatoria de perversiones de principio a fin. Algunas personas cercanas entenderan mi fascinacion morbosa con el siguiente extracto...

" - She is still hot for you, you know - said Elliot. - I still have to hear about the times you tied her up and spanked her -. "

Bitter memories

La primera vez que vi un fragmento de la version cinematografica de "Fear & Loathing in las Vegas", un parlamento extenso sobre la cultura de los 60s y su decadencia me atrapo terriblemente. Ahora, en trance de devorar el libro, encuentro que tambien era el preferido de Thompson, quien consideraba que era lo mejor que habia escrito.

Me habia prometido que este no iba a convertirse en un blog de citas obtusas, pero en fin...

"Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . .

History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened.

My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .

There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .

And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .

So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back."